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Weaving


Synopsis


Weaving: Structure and Substance looks at weave design from several different perspectives, showing how resources, ideas and practical experience can come together in a creative process of designing through making. Emphasizing the potential of woven textiles throughout, Ann Richards follows the success of her sister title Weaving Textiles that Shape Themselves and explores the tactile properties that emerge from the interaction of material and structure. The book is organized into four parts that look at the natural world as inspiration, the design resources of material and weave structure, the fabric qualities as starting points for design, and the practical issues of designing through making. With over 280 lavish photos, this book will be an invaluable resource for textile designers and enthusiasts looking for inspiration and practical advice.

Summary

Chapter 1: The Art of Weaving

* Introduction to the ancient craft of weaving and its historical significance.
* Basic principles of weaving: warp (longitudinal threads) and weft (transverse threads).
* Different types of looms, including handlooms, floor looms, and dobby looms.

Real example: A tapestry woven on a vertical high-warp loom, depicting a scene from nature with intricate details and vibrant colors.

Chapter 2: Selecting Materials

* Types of fibers used in weaving: natural (e.g., cotton, wool, silk) and synthetic (e.g., polyester, nylon).
* Properties of different fibers and their suitability for various weaving techniques.
* Considerations for choosing yarn weight, texture, and color.

Real example: A basket woven from jute twine, showcasing the natural durability and earthy tones of the fiber.

Chapter 3: Preparing the Loom

* Warping: Creating a set of parallel warp threads on the loom.
* Sleying: Passing the warp threads through the dents or reed of the loom.
* Dressing the loom: Winding the warp onto the loom's roller and attaching it to the treadles.

Real example: A handwoven scarf on a small rigid heddle loom, demonstrating the intricate process of warping and sleying.

Chapter 4: Weaving Basics

* Plain weave: The simplest weave, where the weft threads pass over and under the warp threads.
* Variations of plain weave: Basket weave, twill, and satin.
* Using a shed stick to create an opening between the warp threads for inserting the weft.

Real example: A table runner with a simple plain weave pattern, highlighting the subtle textures created by the intersection of threads.

Chapter 5: Finishing Techniques

* Removing the woven fabric from the loom.
* Beating the fabric: Compacting the threads to create a smooth and durable surface.
* Hemming and seaming: Finishing the edges of the fabric for a polished look.

Real example: A woven wall hanging with a delicate fringe edging, showcasing the artistry of finishing techniques.

Chapter 6: Advanced Techniques

* Complex weaves: Double weave, herringbone, and tapestry.
* Using multiple shuttles to create intricate patterns.
* Incorporating beading, embroidery, and other embellishments.

Real example: A colorful and textured rug woven on a multi-harness loom, featuring intricate designs and a high pile.

Chapter 7: Weaving with a Purpose

* Weaving as a form of artistic expression.
* Functional applications of weaving: Textiles, baskets, rugs, and clothing.
* The importance of preserving weaving traditions and promoting the craft.

Real example: A traditional Icelandic sweater with intricate colorwork patterns, showcasing the practical and aesthetic value of weaving.