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The Oxford Dictionary of Literary Terms


Synopsis


The bestselling Oxford Dictionary of Literary Terms provides clear and concise definitions of the most troublesome literary terms, from abjection to zeugma. It is an essential reference tool for students of literature in any language. Now expanded and in its fourth edition, it includes increased coverage of new terms from modern critical and theoretical movements, such as feminism, schools of American poetry, Spanish verse forms, life writing, and crime fiction. It includes extensive coverage of traditional drama, versification, rhetoric, and literary history, as well as updated and extended advice on recommended further reading and a pronunciation guide to more than 200 terms. Completely revised and updated, this edition also features brand-new entries on terms such as distant reading, graphic novels, middle generation, and misery memoir. Many new bibliographies have been added to entries and recommended web links are available via a companion website.

Chris Baldick

Summary

Chapter 1: Basic Concepts

This chapter introduces fundamental literary terms, including author, narrator, plot, setting, character, and theme. For example, "plot" refers to the sequence of events in a story, while "theme" encompasses the central idea or message conveyed by the work.

Chapter 2: Narrative Form and Technique

This chapter explores different types of narratives (e.g., short stories, novels, plays) and techniques employed by writers. Examples include "first-person narrator" (when the narrator is also a character in the story) and "foreshadowing" (hints that suggest future events).

Chapter 3: Structure and Form

This chapter examines how writers organize their works into specific structures, such as verse forms (e.g., sonnet, haiku) and dramatic structures (e.g., acts, scenes). It also discusses literary devices like alliteration (repeating initial consonant sounds) and antithesis (contrasting ideas).

Chapter 4: Figurative Language and Style

This chapter explores the use of figurative language (e.g., metaphors, similes, personification) and stylistic devices (e.g., irony, satire) to create evocative and impactful writing. For instance, "metaphor" compares two things without using "like" or "as" (e.g., "The moon is a silver coin").

Chapter 5: Genres and Movements

This chapter classifies literary works into genres (e.g., romance, comedy, tragedy) and examines major literary movements (e.g., Romanticism, Realism). Real examples could include "Pride and Prejudice" for the romance genre and "The Great Gatsby" for the American Modernist movement.

Chapter 6: Poetry

This chapter focuses specifically on poetry, including its forms, techniques, and analysis. It discusses aspects such as meter, rhythm, and imagery. An example of a poetic analysis could be exploring the use of metaphor and nature imagery in Emily Dickinson's poem "Hope is the thing with feathers."

Chapter 7: Drama

This chapter delves into the world of drama, including its structures, characters, and theatrical elements. It covers concepts such as dialogue, stage directions, and soliloquies. A real-world example could be analyzing the character development of Hamlet in Shakespeare's famous play.

Chapter 8: Fiction

This chapter explores the specific techniques and conventions used in fiction writing, including characterization, setting, and narrative perspective. For example, analyzing the use of unreliable narration in J.D. Salinger's "The Catcher in the Rye" could be an illustrative example.

Chapter 9: Nonfiction

This chapter examines nonfiction writing, which focuses on factual information and real events. It discusses genres like biography, autobiography, and essays. A real-world example could be analyzing the persuasive techniques used in a speech by Martin Luther King Jr.

Chapter 10: Literary Theory

This chapter introduces major literary theories and critical approaches, including structuralism, post-structuralism, and feminism. Real examples could involve analyzing the portrayal of gender roles in Jane Austen's "Emma" from a feminist perspective.