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The Art of Swordsmanship


Synopsis


English translation of one of the most significant medieval texts on fighting with swords. Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches. This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content. JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

Hans Lecküchner (author), Jeffrey L. Forgeng (translator)

Summary

Chapter 1: The Way of the Sword

* Summary: Introduces the history and philosophy of swordsmanship as a martial art.
* Real Example: Miyamoto Musashi, the legendary Japanese swordsman, believed in the "principle of no-mind" as the highest level of swordsmanship.

Chapter 2: The Five Elements

* Summary: Explores the classical Chinese concept of the Five Elements (Fire, Earth, Water, Wind, Void) and their relationship to swordsmanship.
* Real Example: In the Japanese martial art of iaido, the five elements are used to describe different techniques for drawing and cutting with a sword.

Chapter 3: The Ten Principles of Swordsmanship

* Summary: Outlines the fundamental principles of effective swordsmanship, including balance, timing, and distance.
* Real Example: The principle of "iki" in Japanese fencing emphasizes the importance of maintaining a constant and controlled state of vigilance.

Chapter 4: The Seven Cuts

* Summary: Describes the basic cuts in swordsmanship, such as the forward, reverse, and diagonal cuts.
* Real Example: In fencing, the "seven cuts" are used to create openings and score points against an opponent.

Chapter 5: Techniques and Tactics

* Summary: Explores various swordsmanship techniques, including parries, thrusts, and disarms.
* Real Example: In kendo, the competitor must master a range of techniques, such as the "men strike" to the head and the "kote strike" to the wrist.

Chapter 6: Training and Practice

* Summary: Discusses the importance of training and practice in developing swordsmanship skills.
* Real Example: In the traditional Japanese martial art of ninjutsu, students undergo rigorous physical and mental training to hone their swordsmanship abilities.

Chapter 7: The Art of War

* Summary: Examines the role of swordsmanship in warfare and the strategies used to outsmart and defeat an opponent.
* Real Example: The "Thirty-Six Stratagems" is an ancient Chinese military treatise that provides guidance on tactics and deception in warfare, including swordsmanship.

Chapter 8: The Way of the Warrior

* Summary: Explores the ethical and spiritual aspects of swordsmanship as a warrior code.
* Real Example: In the Japanese samurai tradition, the sword was considered a symbol of honor and courage, and it was used to defend one's principles and reputation.