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Art of Swordsmanship by Hans Leckuchner


Synopsis


English translation of one of the most significant medieval texts on fighting with swords. Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches. This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content. JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

Forgeng, Jeffrey L

Summary

Chapter 1: Basic Concepts

* Example: "The sword is the servant of the hand, and the hand is the servant of the mind." This concept emphasizes the interconnectedness of mind, body, and weapon in effective swordsmanship.

Chapter 2: The Principles of Motion

* Example: "Cut with the whole body, not just the arm." This principle illustrates the importance of engaging the entire body weight and kinetic energy when executing a cut.

Chapter 3: The Footwork

* Example: "The lead foot should always be perpendicular to the target." This guideline provides a stable base and optimal positioning for effective footwork and movement.

Chapter 4: The Guards

* Example: "The plow guard protects both the head and the chest." This defensive position covers vital areas while allowing for quick transitions to offensive actions.

Chapter 5: The Cuts

* Example: "The zwerchhau is a powerful cut that targets the opponent's head." This cut is executed from an overhead motion, generating significant force and momentum.

Chapter 6: The Thrusts

* Example: "The thrust in the measure is a quick and precise attack that targets the opponent's throat or face." This thrust emphasizes timing and accuracy over raw power.

Chapter 7: The Wards

* Example: "The ring ward is a circular motion that deflects incoming attacks." This ward is useful for protecting against a wide range of strikes and thrusts.

Chapter 8: The Feints

* Example: "The feint to the head is a deceptive move that draws the opponent's attention upward, creating an opening for an attack elsewhere." Feints are essential for disorienting the opponent and creating opportunities to strike.

Chapter 9: The Combinations

* Example: "Cut with the zwerchhau, then thrust in the measure." This combination combines a powerful overhead cut with a quick thrust, increasing the chances of a successful hit.

Chapter 10: The Battlefield

* Example: "Always be aware of your surroundings and the position of your opponent." This chapter emphasizes the importance of situational awareness and battlefield tactics in swordsmanship.

Additional Example:

Chapter 4: The Guards

* Example: "The ox guard is used to protect against downward thrusts." This guard is formed by holding the sword with the dominant hand in front of the chest and the weaker hand placed on the back of the blade, providing a strong block against attacks from above.