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The Short Story of Modern Art


Synopsis


The Short Story of Modern Art is a must-read introduction to modern art from the best-selling author Susie Hodge.

This fascinating pocket guide to art explains the how, why and when of modern art - who introduced certain techniques or genres, and why these matter.

Simply constructed, the book explores 50 key works - from the realist painting of Courbet to a contemporary installation by Yayoi Kusama - and then links them to the most important movements, themes and techniques. Accessible, concise and richly illustrated, the book reveals the connections between different periods, artists and styles, giving readers a thorough understanding and broad enjoyment of modern art.

More in the series:
- The Short Story of Art by Susie Hodge (9781780679686)
- The Short Story of Photography by Ian Haydn Smith (9781786272010)
- The Short Story of Architecture by Susie Hodge (9781786273703)

Also from Laurence King Publishing
- A World History of Art by John Fleming and Hugh Honour (9781856695848)

Summary

Chapter 1: The Birth of Modernism

* Overview of the artistic landscape around 1900, marked by disillusionment with traditional forms and a search for new modes of expression.
* Example: Vincent van Gogh's "The Starry Night" (1889), characterized by bold brushstrokes and vibrant colors that evoke emotional intensity.

Chapter 2: Fauvism and Expressionism

* Emergence of Fauvism and Expressionism as early modernist movements that emphasized vibrant colors and distorted forms to convey emotion.
* Fauvist example: Henri Matisse's "Blue Nude" (1907), with its simplified shapes and intense, non-naturalistic colors.
* Expressionist example: Edvard Munch's "The Scream" (1893), a symbolic depiction of anxiety and existential despair through distorted figures and a swirling background.

Chapter 3: Cubism

* Pablo Picasso and Georges Braque developed Cubism, a movement that fragmented objects into geometric shapes and presented them from multiple perspectives.
* Example: Picasso's "Les Demoiselles d'Avignon" (1907), a groundbreaking work that challenged traditional notions of beauty and representation.

Chapter 4: Futurism

* Futurists celebrated modernity, speed, and technological advancement.
* Example: Umberto Boccioni's "Unique Forms of Continuity in Space" (1913), a dynamic sculpture that suggests the motion and energy of a running figure.

Chapter 5: Constructivism

* Constructivism sought to combine art and technology, creating functional objects and structures.
* Example: Vladimir Tatlin's "Monument to the Third International" (1920), an architectural design that resembled an industrial tower.

Chapter 6: De Stijl

* De Stijl focused on abstraction and geometric forms, emphasizing primary colors and right angles.
* Example: Piet Mondrian's "Composition with Red, Yellow, and Blue" (1921), a minimalist painting that creates a sense of visual harmony.

Chapter 7: Dadaism

* Dadaists rejected traditional art forms and values, creating absurd and anti-establishment works.
* Example: Marcel Duchamp's "Fountain" (1917), a urinal that questioned the nature of art and challenged artistic conventions.

Chapter 8: Surrealism

* Surrealists explored the unconscious mind and dreams, using symbolism, automatism, and collage to create fantastical and dreamlike images.
* Example: Salvador Dalí's "The Metamorphosis of Narcissus" (1937), a haunting depiction of a pool reflecting a distorted and decaying figure.

Chapter 9: Abstract Expressionism

* Emerging after World War II, Abstract Expressionists emphasized spontaneity, gesture, and the use of large canvases.
* Example: Jackson Pollock's "Full Fathom Five" (1947), a drip painting characterized by random, fluid lines that create a sense of chaos and energy.

Chapter 10: Pop Art

* Pop Art celebrated popular culture, mass media, and everyday objects.
* Example: Andy Warhol's "Marilyn Diptych" (1962), a silkscreen print of Marilyn Monroe's iconic image, reflecting the fascination with celebrity and consumerism.

Chapter 11: Postmodernism

* Postmodernism questioned the authority of tradition and the modernist avant-garde, embracing pluralism, irony, and self-referentiality.
* Example: Damien Hirst's "For the Love of God" (2007), a human skull encrusted with diamonds, which challenges traditional notions of beauty and value.