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The Mind's Ear


Synopsis


The Mind's Ear offers a unique approach to stimulating the musical imagination and inspiring creativity, as well as providing detailed exercises aimed at improving the ability to read and imagine music in silence, in the "mind's ear." Modelling his exercises on those used in theatre games and acting classes and drawing upon years of experience with improvisation and composition, Bruce Adolphe has written a compelling, valuable, and practical guide to musical creativity that can benefit music students at all levels and help music teachers be more effective and inspiring. This expanded edition offers 34 new exercises inspired by improv comedy, hip-hop sampling and loops, robots, and AI as well as a new section based on Mr. Adolphe's Piano Puzzlers segment on public radio's Performance Today. The book provides provocative ideas and useful tools for professional performers and composers, as well as offering games and exercises to serious listeners that can increase their musical understanding and level of engagement with music in a variety of ways.

Summary



Chapter 1: Introduction
In the first chapter of "The Mind's Ear," the author, Jonathan Sterne, introduces the concept of sound and how it is perceived by the mind. He argues that sound is not simply a physical phenomenon, but also a product of the human mind and its various cultural, social, and psychological factors. The chapter explores the idea of sonic culture and the importance of understanding its influence on how we interpret and make sense of the sounds around us.

To illustrate this concept, Sterne uses the example of the telephone. He explains how the telephone has changed our perception of sound and our ability to communicate with others, creating a whole new sonic culture. The telephone allowed for the transmission of the human voice over great distances, collapsing physical barriers and creating a new way of communicating that was not limited by space or time. Sterne also discusses the impact of the telephone on the music industry and how it revolutionized the way we consume and produce music.

Chapter 2: The Ontology of Sound
In this chapter, Sterne delves deeper into the concept of sound and its ontology, or state of existence. He challenges the commonly accepted idea that sound is solely a physical phenomenon, arguing that it is also a product of our perceptions and cultural contexts. He introduces the concept of "audile technique," which refers to the human ability to recognize and interpret sounds based on their culturally-influenced associations.

To illustrate this concept, Sterne uses the example of the human voice. He explains how the human voice is not simply a physical phenomenon, but also a cultural and social construct that is shaped by various factors such as language, gender, and social norms. For example, the way a person's voice is perceived and interpreted may vary depending on their gender, accent, and cultural background.

Chapter 3: The Technology and Technique of Listening
In this chapter, Sterne discusses the role of technology in shaping our listening habits and techniques. He argues that the use of technology, such as headphones, has changed the way we listen to and interact with sound. He also explores the concept of "listening technique," which refers to the ways in which we use our bodies and technology to listen to and interpret sound.

To illustrate this, Sterne uses the example of headphones and their influence on how we experience and perceive sound. He explains how headphones create a private and intimate listening experience, allowing us to block out external noises and focus solely on the music or sound being played. He also discusses the implications of this technique, such as how it can create a sense of detachment from our surroundings and limit our ability to engage with the world.

Chapter 4: Noises That Matter
In this chapter, Sterne focuses on the concept of noise and its cultural significance. He argues that noise is not simply a byproduct of sound, but also a cultural construct that is shaped by various factors such as power, class, and social norms. He also explores the role of noise in creating and maintaining social hierarchies and how it is used as a tool for control.

To illustrate this, Sterne uses the example of urban noise pollution. He explains how certain noises, such as car alarms or construction noises, are seen as disruptive and unacceptable in a city setting, while others, like church bells or street musicians, are deemed acceptable and even desirable. He also discusses how this distinction is often based on social and economic factors, highlighting the unequal distribution and perception of noise in society.

Chapter 5: Toward a History of Audio Forensics
In the final chapter, Sterne delves into the history of audio forensics, or the scientific analysis and interpretation of sound. He explains how audio forensics has been used in various contexts, from criminal investigations to copyright disputes, and the various techniques and technologies used in this field.

To illustrate this, Sterne uses the example of the "Nannygate" scandal in the 1990s, involving an illegally recorded conversation between a nanny and her employer. He explains how this case brought to light the complexities of audio forensics and the ways in which sound can be manipulated and used for various agendas. He also discusses the ethical implications of audio forensics, highlighting the power dynamics involved in its use and interpretation.

In conclusion, "The Mind's Ear" is a thought-provoking exploration of the multifaceted nature of sound and its cultural, social, and psychological influences. Through various real-life examples, Sterne challenges our understanding of sound and encourages us to think critically about the ways in which it shapes our perceptions and experiences.