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The Complete Church Organist Level I


Synopsis


Church organists have to be extremely versatile: they are expected to offer a wide range of musical skills, from playing voluntaries and improvising to accompanying congregational and choral music. As an organist in a parish church you might find yourself accompanying a polyphonic communion motet one minute and then a contemporary worship song the next.Many organists do not feel properly equipped for their role. Those who have received formal tuition find that the focus has been on playing solo repertoire rather than accompanying music for church services. A substantial number of church organists have received no training at all and lack confidence in their own abilities. In response, the RSCM has developed the Church Music Skills programme, which is designed to help practising church musicians to develop the skills and understanding that they need for their role, and to equip those who want to be able to lead music in worship. This first of three volumes for church organists is ideal for pianists taking that first step onto the organ bench and beginner organists and covers the technical skills necessary to play hymns and worship songs, accompany anthems and motets and play voluntaries.

Daniel Moult (editor), Esther Jones (editor)

Summary

Chapter 1: Basic Organ Technique

* Introduces the organ's fundamentals, including its pedals, manuals, and stops.
* Teaches finger placement, foot pedal technique, and proper posture.
* Example: Practicing scales and chords with correct hand and foot movements.

Chapter 2: Hymn Playing

* Covers the principles of hymn accompaniment, such as chord voicings, registration, and transitions.
* Focuses on developing a fluent and expressive hymn-playing style.
* Example: Accompanying a hymn in a worship service with appropriate tempo and dynamics.

Chapter 3: Registration

* Explores the art of stop selection and combination to create a wide range of organ sounds.
* Explains the principles of organ registration, including contrasts, swells, and imitative effects.
* Example: Using different registrations to depict the text of a hymn, such as soft stops for the verses and full organ for the chorus.

Chapter 4: Improvisation

* Introduces the basics of improvising on the organ, including chord progressions, cadences, and hymn embellishments.
* Encourages organists to develop their creative abilities and enhance their worship leading.
* Example: Improvising a brief introduction or interlude for a hymn, using simple chords and harmonic progressions.

Chapter 5: Offertory and Postlude Playing

* Discusses the purpose and musical considerations for offertory and postlude playing.
* Provides guidelines for choosing appropriate repertoire and creating meaningful musical experiences.
* Example: Playing a calming and meditative offertory piece to prepare the congregation for communion, followed by a triumphant and uplifting postlude to conclude the service.

Chapter 6: Service Playing

* Covers the practical aspects of organ playing in a church service, including the role of the organist, rehearsal techniques, and dealing with unexpected situations.
* Emphasizes the importance of musical leadership and coordination with the worship team.
* Example: Leading a congregation through the liturgical music of a Sunday service, including hymns, anthems, and prelude/postlude.

Chapter 7: Introduction to Liturgical Music

* Introduces the various musical genres and styles used in Christian worship, such as Gregorian chant, classical music, and modern hymnody.
* Explores the historical and cultural context of liturgical music and its significance in worship.
* Example: Studying the characteristics of different liturgical music styles and incorporating them into organ playing.

Chapter 8: The Organ in Church Music

* Examines the role of the organ in the history and development of church music.
* Discusses the organ's unique contributions to worship, such as its grandeur, versatility, and ability to inspire.
* Example: Exploring the role of the organ in enhancing the spiritual and emotional experience of worshipers through its sound and presence.