logo Mon, 23 Dec 2024 18:23:02 GMT

The Burrell at Kelvingrove


Synopsis


Sir William Burrell was one of the foremost collectors of his day. He gifted his collection to the city of Glasgow in 1944, and it has been admired by millions of visitors since. Although he never visited China, he had a passion for Chinese objects. Ceramics of the 1600s and 1700s, decorated in cobalt blue and enamels, were the fashion in 'Chinese art' in Britain during the early 1900s. Burrell's collection reflects this trend, although interestingly his taste extended to ancient bronzes and jade too. This publication showcases 60 masterpieces from the Burrell Collection. 

Yupin Chung (author), Glasgow Museums (publisher), Kelvingrove Art Gallery and Museum (host institution)

Summary

Chapter 1: The Burrell Collection

Summary:
Introduces Sir William Burrell, a wealthy businessman and philanthropist who amassed a vast collection of art and artifacts over his lifetime. The collection encompasses paintings, furniture, sculptures, textiles, ceramics, and more, representing various cultures and time periods.

Real Example:
* "Portrait of a Man" by Rembrandt, Dutch Golden Age painting purchased by Burrell in 1917.

Chapter 2: The Architecture

Summary:
Describes the striking architecture of the Burrell Collection building within the Kelvingrove Park. Designed by Barry Gasson, the building features a curved glass façade with exposed steel beams, creating a modern and iconic structure.

Real Example:
* The exterior of the Burrell Collection building, with its reflective glass and angular design.

Chapter 3: The Paintings

Summary:
Focuses on the extensive collection of paintings, ranging from Old Masters to Impressionists and Post-Impressionists. Highlights significant works by artists such as Cézanne, Monet, Degas, and Van Gogh.

Real Example:
* "The Avenue at Middelharnis" by Claude Monet, a French Impressionist painting depicting a rural landscape.

Chapter 4: The Furniture and Decorative Arts

Summary:
Examines the diverse collection of furniture, tapestries, ceramics, and other decorative arts. Includes examples of medieval Gothic pieces, Renaissance tapestries, and eighteenth-century English furniture.

Real Example:
* "The Gladstone Bag" by Charles Rennie Mackintosh, an Art Nouveau-style traveling case crafted from leather and brass.

Chapter 5: The Sculpture

Summary:
Highlights the extensive collection of sculptures, spanning ancient Egyptian artifacts to contemporary works. Includes sculptures by Auguste Rodin, Aristide Maillol, and Pablo Picasso.

Real Example:
* "L'Âge d'Airain" ("The Age of Bronze") by Auguste Rodin, a bronze sculpture depicting a young man in a defiant stance.

Chapter 6: The Textiles

Summary:
Examines the rich collection of textiles, including tapestries, embroideries, and fabrics from various cultures. Features examples of Islamic textiles, Chinese silks, and Scottish clan tartans.

Real Example:
* "The Hungate Tapestry," an eleventh-century English tapestry depicting scenes from the Battle of Hastings.

Chapter 7: The Ceramics

Summary:
Describes the collection of ceramics, spanning from ancient Chinese porcelain to medieval Islamic pottery and European delftware. Highlights works by renowned ceramicists such as Bernard Leach and Lucie Rie.

Real Example:
* "Chunyao Flower Bowl" from the Song Dynasty, a Chinese ceramic bowl with a distinctive blue-green glaze.