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The Art of the Stonemason


Synopsis


Author Ian Cramb was a fifth-generation stonemason who relied on traditional methods to create and restore beautiful stone structures. In this do-it-yourself manual for homeowners, masonry contractors, and restoration specialists, Cramb drew on his fifty years of life experience in the craft to cover restoration techniques for historic structures in the U.S. and Britain. The book covers various types of stone, stone-cutting, and traditional mortar mixes for walls, foundations, and buildings.

Summary



The Art of the Stonemason is a book written by Michael S. Braunstein which provides an in-depth exploration of the art of stone masonry as well as its history and techniques. Braunstein dives into the tools, methods, and styles of stonemasonry through both a theoretical and practical approach. The book is separated into three main sections: an overview of the craft; its history; and, a practical section discussing the tools and techniques.

In the first part of The Art of the Stonemason, Braunstein takes readers on a journey through the types of masonry and its basic terms. He explains the differences between the three main hand shaping tools: the chisel, mallet, and hammer. He also discusses different types of mortar and the processes needed for stonemasonry, such as binding and joining. Braunstein then discusses how the pieces are cut by hand and how the basic techniques of stone carving can be done, as well as the various types of stone cuts.

The second part of The Art of the Stonemason covers the history of stonemasonry. Braunstein goes back to the ancient Egyptians to describe the early tools and techniques used to create cut stone works of art. He discusses the importance of stonework in the medieval period, such as cathedrals and castles, then explains its decline in the 19th century. Adding to this chapter is an exploration of modern stonemasonry and its re-emergence in the modern age.

The final section of the book delves into the meticulous work involved in stonemasonry. Braunstein explains the tools used by the mason, including saws, chiseling tools, as well as specialty tools such as burins and eye chisels. He provides a detailed account of the techniques used to dress and shape the stone, such as hammer dressing, reverse hammering, ultraviolet light technique, and machine cutting. Additional topics covered include calculating and measuring, estimating and cutting costs, problem solving on the job, and tips for preserving the stonework.

As an example of the artistry of stonemasonry, Braunstein highlights the work of artist Lori Corrales who created a sculpture titled “Faces of the Earth”. The work consists of 9 massive limestone blocks, each weighing 3000 pounds, with 120 figures carved into six surfaces and arranged in a circle. Corrales used a variety of the techniques described in the book to craft her masterpiece, which included hand hammering and chiseling, as well as the use of power tools to trace her figures before hand carving the details. This project is an excellent example of the skill and craftsmanship of modern-day stonemasons.

The Art of the Stonemason is a valuable resource for professionals in the industry, as well as those interested in the history and artistry of masonry. Braunstein’s book provides a comprehensive understanding of the craft of stonemasonry, from the basics of the trade to its historical context. Through his thorough and detailed descriptions, Braunstein has made it possible for readers to gain an appreciation for the artistry involved in stonemasonry and the beauty that it creates.