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Spirited Away


Synopsis


Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film's delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film's visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki's prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world. This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro's Pan's Labyrinth to Pixar's Inside Out.

Andrew Osmond, British Film Institute

Summary

Chapter 1: The Tunnel

Chihiro and her family drive through a mysterious tunnel, leading to an abandoned amusement park. The boundary between the human and spirit world blurs as Chihiro's parents indulge in food from an unattended stall and are transformed into pigs. A boy named Haku tells Chihiro about the spirit world's rules and warns her of the dangers lurking within.

Chapter 2: Yubaba's Bathhouse

Chihiro enters Yubaba's Bathhouse, where she seeks employment to pay off her parents' debts. She is renamed Sen and begins working under the tyrannical witch, Yubaba. Haku, who works as the bathhouse's apprentice, helps Sen adjust to her new life.

Chapter 3: Kamaji's Boiler Room

Sen works diligently in the boiler room, assisted by Kamaji, a friendly spider-like creature. She meets other spirits, including a young girl named Boh, who becomes her friend. However, Yubaba's henchmen, the twins Aogaeru and Ingarashi, keep a close eye on her.

Chapter 4: No-Face

A mysterious spirit called No-Face appears at the bathhouse. He is drawn to Sen's kindness and begins to follow her around. No-Face can consume anything or anyone, growing larger and more powerful as he does.

Chapter 5: Lin's Banquet

Yubaba's obese guest, Lin, demands a lavish feast. Sen prepares him delicious food, impressing even the witch. However, Lin's gluttony threatens to destroy the bathhouse and everything within it.

Chapter 6: The River Spirit

A giant river spirit enters the bathhouse, covered in filth and debris. Sen recognizes the spirit as Haku, who has been cursed by Yubaba. She cleanses him and discovers the river spirit's true identity.

Chapter 7: The Stench God

A foul-smelling spirit arrives at the bathhouse, causing chaos. Sen realizes that the spirit is the rotting God of the Stink River. She helps him find his lost name, "Stink God," and purifies him.

Chapter 8: Chihiro's Parents

Chihiro finally locates her parents, who have been turned into pigs. She confronts Yubaba and demands their release. Yubaba agrees to a deal: If Chihiro can correctly identify her parents among a group of pigs, they will be set free.

Chapter 9: The Faceless Monster

No-Face grows out of control, consuming everything in his path. Sen confronts him and offers him food, calming him down. She leads him outside, where he vomits up all the spirits and objects he has consumed.

Chapter 10: The Seal

Chihiro learns that Haku's name has been stolen by Yubaba. She travels to Yubaba's chambers and retrieves the seal that contains Haku's true identity. Haku regains his memories and frees himself from Yubaba's curse.

Chapter 11: Farewell

Chihiro and Haku bid farewell as she returns to the human world. She passes through the tunnel again, but this time, she emerges in a different place from where she started. The boundary between the human and spirit world remains blurred, reminding Chihiro of her time in the bathhouse and the friendships she made there.

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