Pina Bausch

Synopsis

This newly-updated second edition explores Pina Bausch's work and methods by combining interviews, first-hand accounts, and practical exercises from her developmental process for students of both dance and theatre. This comprehensive overview of her work offers new and exciting insight into the theatrical approach of a singular performance practitioner.

This is an essential introduction to the life and work of one of the most significant choreographers/directors of the twentieth and twenty-first centuries. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

Summary

Chapter 1: Roots and Beginnings

This chapter explores Pina Bausch's early life and influences. It discusses her childhood in Solingen, Germany, and her formative dance training at the Folkwang School in Essen.

Real Example: Bausch's early choreography, such as "Fragment" (1977), reflects her experiences growing up in post-war Germany. The piece incorporates elements of folk dance and everyday movements, embodying the social and cultural upheavals of the time.

Chapter 2: Wuppertal Dance Theater

This chapter focuses on the founding and development of the Wuppertal Dance Theater, where Bausch created the majority of her work. It discusses her innovative artistic vision and her collaborative process with the dancers.

Real Example: Bausch's masterpiece "Café Müller" (1978) showcases her signature use of repetition, physicality, and emotional intensity. The piece explores themes of love, loss, and the human condition, capturing the essence of her unique artistic style.

Chapter 3: Movement as Metaphor

This chapter examines Bausch's use of movement as a means of expressing psychological and emotional states. It analyzes her choreography as a form of storytelling and her ability to convey complex emotions through physical gestures.

Real Example: In "Orpheus and Eurydice" (1981), Bausch uses abstract movements and symbolic imagery to reinterpret the classic Greek myth. The choreography explores the themes of love, separation, and the power of memory.

Chapter 4: Set Design and Collaboration

This chapter discusses Bausch's collaboration with set designers and other artists, emphasizing the importance of visual elements in her work. It explores how she used props, costumes, and stage space to create immersive and evocative environments.

Real Example: In "Bluebeard" (1977), Bausch worked with set designer Rolf Borzik to create a haunting and atmospheric environment. The piece's complex use of lighting, sound, and a large castle-like structure enhances the psychological drama of the story.

Chapter 5: Dance and Society

This chapter explores the social and political dimensions of Bausch's work. It examines her choreography as a critique of societal norms, her engagement with issues of gender, and her use of dance as a means of empowering marginalized voices.

Real Example: "Viktor" (1986) is a poignant exploration of the experiences of male factory workers in Germany. The piece uses repetitive movements and confrontational scenes to highlight the struggles and alienation faced by this demographic.