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Palimpsests: Literature in the Second Degree


Synopsis


By definition, a palimpsest is "a written document, usually on vellum or parchment, that has been written upon several times, often with remnants of erased writing still visible." Palimpsests (originally published in France in 1982), one of Gérard Genette's most important works, examines the manifold relationships a text may have with prior texts. Genette describes the multiple ways a later text asks readers to read or remember an earlier one. In this regard, he treats the history and nature of parody, antinovels, pastiches, caricatures, commentary, allusion, imitations, and other textual relations.
 
Gérard Genette is one of the most original and influential literary critics of modern France. He is the major practitioner of narratological criticism, a pioneer in structuralism, and a much-admired literary historian. Such works as Narrative Discourse and Mimologics (Nebraska 1995) have established his international reputation as a literary theorist of the first order.

Genette, Gerard

Summary

Chapter 1: Writing Through

This chapter explores the concept of palimpsests in literature, where one text is written over and through another. It argues that palimpsests expose the materiality of texts and reveal the complex ways in which they are produced, circulated, and consumed.

*Example: Salman Rushdie's "Midnights Children" incorporates multiple historical and literary references, including the Indian independence movement, the Partition of India, and the British colonial era. By intertwining these narratives, Rushdie creates a palimpsest that reflects the multifaceted nature of Indian history.

Chapter 2: Censorship and Circulation

This chapter examines the role of censorship in shaping the palimpsestic nature of texts. It argues that censorship can both suppress and unveil underlying meanings, creating new layers of interpretation.

*Example: The works of James Joyce and Virginia Woolf were heavily censored in their time, leading to the emergence of coded language and oblique references in their writings. These palimpsestic elements invite readers to decipher and decode the hidden meanings beneath the surface.

Chapter 3: Author and Authority

This chapter explores the ways in which palimpsests challenge traditional notions of authorship and authority. It argues that palimpsests reveal the collaborative nature of writing and the fluid boundaries between author and reader.

*Example: In postmodern literature, such as the works of Italo Calvino and Jorge Luis Borges, authors often dissolve their own authority by incorporating intertextual references, blurring the lines between fiction and reality, and inviting readers to participate in the creative process.

Chapter 4: Intermedia Palimpsests

This chapter expands the concept of palimpsests to other media, such as film, photography, and music. It argues that these media can also be palimpsestic, layering multiple meanings and perspectives.

*Example: The film "Memento" (2000) by Christopher Nolan presents its narrative in reverse chronological order, creating a palimpsestic experience that challenges viewers to piece together the events of the story.

Chapter 5: Digital Palimpsests

This chapter examines the impact of digital technologies on the palimpsestic nature of texts. It argues that digital media facilitate the creation, dissemination, and transformation of texts in new and unprecedented ways.

*Example: Social media platforms, such as Facebook and Twitter, function as palimpsests where users post, edit, and comment on content, creating a layered and dynamic archive of digital discourse.

Overall Summary

"Palimpsests: Literature in the Second Degree" explores the multifaceted nature of palimpsests in literature and other media, arguing that they reveal the materiality, complexity, and fluidity of texts. By examining how palimpsests interact with censorship, authorship, intertextuality, and digital technologies, the book provides a comprehensive framework for understanding the ways in which texts are produced, circulated, and consumed.