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Painting With Light


Synopsis


Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton's often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself.

Summary

Chapter 1: The Basics of Lighting

This chapter introduces the fundamental principles of lighting, including the different types of light sources, the effects of light direction and quality, and how to use light to create depth and dimension in an image.

Real Example: A portrait photographer uses a softbox to create even, flattering lighting on the subject's face, while a narrow beam of light from a spotlight is used to add drama and emphasize certain facial features.

Chapter 2: Natural Lighting

This chapter explores the use of natural light to create beautiful and dynamic images. It covers the different types of natural light (e.g., sunlight, moonlight), their characteristics, and how to take advantage of them for different types of photography.

Real Example: A landscape photographer waits for the golden hour to capture a warm and ethereal shot of a mountain range, using the low angle of the sun to create long shadows and highlight the contours of the landscape.

Chapter 3: Artificial Lighting

This chapter delves into the world of artificial lighting, including the different types of artificial light sources (e.g., flash, strobes), their advantages and disadvantages, and how to use them effectively in photography.

Real Example: A wedding photographer uses a combination of natural window light and off-camera flash to illuminate the couple during the ceremony, resulting in a well-lit and balanced shot that preserves the ambient atmosphere.

Chapter 4: Lighting for Composition

This chapter emphasizes the importance of lighting in creating a compelling composition. It discusses how to use light to draw the viewer's attention to specific elements of the image, create a sense of depth, and enhance the overall visual impact.

Real Example: A still life photographer uses a directional spotlight to highlight the texture of an antique piece of furniture, creating a dramatic and eye-catching image that focuses the viewer's attention on the details of the subject.

Chapter 5: Lighting for Portraiture

This chapter focuses on the specific techniques and considerations for lighting portraits. It covers different lighting setups, such as Rembrandt lighting, butterfly lighting, and loop lighting, and how to use them to flatter different types of subjects.

Real Example: A fashion photographer uses clamshell lighting to create a soft and angelic look on a model, emphasizing the model's delicate features and capturing an ethereal and glamorous mood.

Chapter 6: Lighting for Landscapes

This chapter explores the challenges and rewards of lighting landscapes. It discusses the importance of understanding the behavior of light in natural environments and how to use it to create dramatic and evocative images.

Real Example: A travel photographer captures a stunning shot of a mountain peak at sunrise, using a long exposure to capture the movement of the clouds and the warm glow of the rising sun illuminating the landscape.

Chapter 7: Lighting for Architectural Photography

This chapter covers the complexities of lighting architecture to convey its form, texture, and scale. It explores different techniques, such as side lighting to accentuate lines and angles, and backlighting to create dramatic silhouettes.

Real Example: A commercial photographer uses a drone to capture an aerial view of a skyscraper, using diffused sunlight to reveal the intricate details of its facade and create a sense of scale and grandeur.

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