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Mozart's Women


Synopsis


Mozart was fascinated, amused, aroused, hurt, and betrayed by women. He loved and respected them, composed for them, performed with them. This unique biography looks at his interaction with each, starting with his family (his mother, Maria Anna and beloved and talented sister, Nannerl), and his marriage (which brought his 'other family', the Weber sisters). His relationships with his artists are examined, in particular those of his operas, through whose characters Mozart gave voice to the emotions of women who were, like his entire female acquaintance, restrained by the conventions and structures of eighteenth-century society. This is their story as well as his -- and shows once again that a great part of the composer's genius was in his understanding and musical expression of human nature. Evocative and beautifully written, Mozart's Women illuminates the music, the man, and above all the women who inspired him.

'Jane Glover has pulled off a coup des livres with her fresh take on Mozart's life and work' Sunday Telegraph

'Readable, informative and moving…Her passion for the music shines through this touching, vividly told story' Sunday Times

Summary



Chapter 1: The Early Years

This chapter delves into Mozart's childhood, his family, and the women who played significant roles in his life at a young age. Mozart's mother, Anna Maria, was a violinist and constantly encouraged her son's musical talents. She was also responsible for introducing him to many influential women in the Viennese society, such as Maria Theresa Walburga Amalia Christina, the Empress of the Holy Roman Empire. This connection proved to be beneficial for Mozart as he was able to showcase his skills to the court and gain recognition at a young age.

One particular woman who had a significant impact on Mozart's early years was Maria Antonia von Paradis, a young pianist and composer who was a close friend of Mozart's sister, Nannerl. Mozart was fascinated by Paradis's musical abilities and often requested her to play for him. He even dedicated a piano concerto to her, which helped launch her own career as a musician.

Chapter 2: The Court Years

As a young man, Mozart was hired by the Archbishop of Salzburg to work at the court as a musician. Here, he met and worked closely with several women, including Princess Maria Josepha of Bavaria and Countess Maria Wilhelmina Thun, both of whom were skilled musicians. These women not only provided Mozart with professional opportunities, but they also became his confidants and friends.

During his time at the court, Mozart also fell in love with Aloysia Weber, one of four Weber sisters who were talented singers. Aloysia was the first woman Mozart ever proposed to, but she rejected him, breaking his heart. However, the Weber family remained close to Mozart and even played a significant role in his professional and personal life later on.

Chapter 3: The Italian Journey

Mozart's travels to Italy were a turning point in his career, and this chapter explores the different women he encountered during this time. In Milan, he met and fell in love with Luise Villeneuve, a singer who inspired him to write his early opera, "Il Sogno di Scipione." However, their relationship ended when Villeneuve's family refused to let her marry a musician.

Meanwhile, Mozart also met and formed a close friendship with Marianne von Genzinger, a prominent Viennese socialite. Genzingen provided him with financial and emotional support and even acted as a muse for some of his work. Their relationship remained platonic, but their friendship was an important aspect of Mozart's life, especially during his struggles with poverty.

Chapter 4: The Masonic Years

This chapter focuses on Mozart's involvement with the Freemasons and how it affected his personal and professional life. One of the most significant women during this period was Maria Anna Thekla Mozart, Mozart's cousin and close friend. Thekla was a member of the Order of the Eastern Star, a Masonic organization for women, and introduced Mozart to the Masonic ideals of equality and brotherhood.

Mozart's wife, Constanze, also played a crucial role during this time. Despite facing financial struggles, Constanze supported Mozart's involvement with the Freemasons and even helped him with his composition of the opera, "The Magic Flute," which has strong Masonic influences.

Chapter 5: The Final Years

The final chapter of the book explores the women who were present during Mozart's last years, and how they played a part in his tragically short life. One notable woman was Anna Gottlieb, whom Mozart met during his travels to Prague. She was a highly skilled harpsichordist and inspired Mozart to write his final piano concerto. Mozart also met and developed a close relationship with Josepha Hofer, an opera singer who performed in his final operas, "The Marriage of Figaro" and "The Magic Flute."

However, the most important woman during this time was undoubtedly Constanze. Despite her own health issues and the constant financial struggles, Constanze remained devoted to Mozart until his untimely death. She worked tirelessly to preserve his legacy after his death, and without her dedication, many of his works may have been lost.

In conclusion, "Mozart's Women" highlights the significance of the women in Mozart's life, not only in his personal relationships but also in his musical career. From his mother to his wife and the various women he encountered throughout his travels, each woman played a vital role in shaping Mozart into the legendary composer he is remembered as today. Their influence, support, and inspiration were essential to Mozart's success and legacy, making them an integral part of his story.