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Improvisation


Synopsis


Improvisation plays a key role in the toolbox of the music therapist. Tony Wigram's practical and comprehensive guide and online content will prove indispensable to students, teachers, therapists and musicians as a book of musical techniques and therapeutic methods. Beginning with an overview of developing, teaching and analysing the skills of improvisation, Wigram describes techniques ranging from warming up to mirroring, rhythmic grounding, containing and holding. With specific sections on piano improvisation, chordal and 2-, 3- and 4- note improvisation are covered, in addition to advanced skills such as frameworking and transitions. Wigram also includes techniques for thematic improvisation, group improvisation and outlines methods for analysing and reporting improvisational processes. Notated examples allow readers to try out techniques and progress as they read, with audio examples on the accompanying online content adding another dimension to the structure and guidance provided for all levels of music student and therapist.

Summary

Chapter 1: The Nature of Improvisation

* Defines improvisation as spontaneous creation of music without prior preparation.
* Discusses the key elements of improvisation: spontaneity, risk-taking, and listening.

Example: Jazz musicians improvising on a chord progression, creating unique melodic lines and rhythms in the moment.

Chapter 2: Getting Started

* Provides practical tips and exercises for beginners to start improvising.
* Encourages experimentation and exploring different scales, motifs, and rhythms.

Example: Playing a simple melody over a C major scale, experimenting with different starting notes and rhythmic patterns.

Chapter 3: Developing Basic Skills

* Covers fundamental techniques for improvisers, including scale construction, arpeggios, and triads.
* Discusses the importance of developing dexterity, independence, and coordination.

Example: Practicing scales in different keys and fingerings to improve finger coordination and scale knowledge.

Chapter 4: The Blues

* Explores the origins and structure of the blues scale.
* Provides exercises and examples for improvising blues solos, focusing on typical melodic patterns and chord progressions.

Example: Improvising over a blues progression in 12-bar form, using blues scales and common melodic phrases.

Chapter 5: Harmonic Analysis

* Introduces basic harmonic concepts, such as chords, intervals, and chord progressions.
* Explains how to analyze chord progressions to create more informed improvisations.

Example: Analyzing a simple pop song's chord progression and identifying the key, chord functions, and potential improvisation targets.

Chapter 6: Motive Development

* Discusses the importance of developing motifs (short musical ideas) in improvisation.
* Provides techniques for creating, transforming, and combining motifs to create cohesive solos.

Example: Improvising over a simple chord progression by introducing a motif and developing it through variation, repetition, and embellishment.

Chapter 7: Improvisation Strategies

* Explores different strategies for improvising, such as scalar improvisation, arpeggio-based improvisation, and modal improvisation.
* Provides examples and exercises for applying these strategies.

Example: Using scalar improvisation to create a solo over a jazz chord progression, focusing on the notes of the scales associated with each chord.

Chapter 8: Practicing Improvisation

* Emphasizes the importance of regular practice for developing improvisation skills.
* Offers tips and suggestions for creating a practice routine and setting achievable goals.

Example: Setting aside 30 minutes each day to practice improvisation techniques, starting with simple exercises and gradually increasing the complexity.

Chapter 9: Performance Techniques

* Discusses performance aspects of improvisation, such as stage presence, managing nerves, and interacting with other musicians.
* Provides advice on preparing for and performing improvised solos.

Example: Preparing for an improvisation performance by practicing specific scales, chord progressions, and motifs that are likely to be encountered.