Harold Pinter

Synopsis

This volume contains Harold Pinter's first six plays, including The Birthday Party.

The Birthday Party
Stanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.

'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday Times

The Room and The Dumb Waiter
In these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character.

'Harold Pinter is the most original writer to have emerged from the "new wave" of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times

The Hothouse
The Hothouse was first produced in 1980, though Harold Pinter wrote the play in 1958, just before commencing work on The Caretaker. In this compelling study of bureaucratic power, we can see the full emergence of a great and original dramatic talent.

'The Hothouse is at once sinister and hilarious, suggesting an unholy alliance of Kafka and Feydeau.' Spectator

Summary

Chapter 1: The Early Years (1930-1957)

This chapter explores Pinter's early life, influences, and the development of his unique theatrical style. It highlights his experiences as an actor and dresser at the Irving Theatre, where he learned about stagecraft and acting techniques.

Real Example: Pinter's play "The Dumb Waiter" (1957) reflects his early interest in the theater and his fascination with the psychological dynamics of characters isolated in a small space.

Chapter 2: The Breakthrough (1958-1964)

This chapter covers Pinter's breakthrough into the mainstream with the production of his play "The Caretaker" (1960). It discusses his collaboration with the Royal Court Theatre, which became known as the "Pinteresque" theatre for its focus on ambiguity, menace, and linguistic games.

Real Example: "The Birthday Party" (1958) is a classic example of Pinter's "comedy of menace," where characters are subjected to psychological manipulation and physical violence.

Chapter 3: The International Reputation (1965-1974)

This chapter explores Pinter's international success and his influence on world theater. It highlights his plays that addressed political and social issues, such as "The Homecoming" (1965) and "Old Times" (1971).

Real Example: Pinter's powerful play "Betrayal" (1978) explores the complexities of love, infidelity, and memory, and it has been performed and translated worldwide.

Chapter 4: The Late Plays (1975-2005)

This chapter examines Pinter's later works, in which he continued to delve into the human psyche and the nature of power. It discusses plays such as "Strippers" (1975) and "Celebration" (2000).

Real Example: "Ashes to Ashes" (1996) is a poignant and personal play that reflects on Pinter's experiences during World War II and the loss of a close friend.

Chapter 5: The Legacy and Impact

This chapter assesses Pinter's enduring legacy as a playwright, director, and public intellectual. It discusses his contributions to modern theater, his influence on future generations of writers, and his role in social and political discourse.

Real Example: Pinter's bold and innovative plays continue to inspire and challenge audiences today, as evidenced by the ongoing productions and critical analysis of his work worldwide.