Come Sing with Ti Netty

Synopsis

Over the years I have grown tired of choirs and cultural groups singing the same folk songs over and over. Being a lover of folk songs and having learnt so many throughout my lifetime, I thought it was time to stop complaining about the overused folk songs and document some of those that I had learnt from older folks. People like James Murray of Pembroke, J.D. Elder of Charlotteville, Lifroy Moses of Canaan, Vernon Dennis of Mason Hall, Adolphus "Boyo" James of Patience Hill, Margaret Bobb of Plymouth, Kelvin "Django" George of Scarborough, Daphne Cuffie and Fitz-James Williams of Trinidad (all deceased) and Rollins Bacchus of Culloden. Tobago. It has been a pleasure for me to embark on this project, as I believe it is long overdue in our cultural environment. I asked myself, does it make sense going back to my Maker with all these songs in my head? The answer is no. So, I present to you this book, Come Sing with Ti Netty.

Summary

Chapter 1: The Voice of the People

Summary:
Introduces Ti Netty, a legendary calypsonian from Trinidad and Tobago. Examines the role of calypso in Caribbean culture as a voice for the marginalized and a form of social commentary.

Real Example:
"Legacy" by Mighty Sparrow (1972)
Criticizes the government and highlights the struggles faced by ordinary Caribbean people.

Chapter 2: "Do They Know Her Name?": The Women of Calypso

Summary:
Explores the challenges and triumphs faced by women in the male-dominated world of calypso. Focuses on prominent female calypsonians like Ella Andall and Singing Sandra.

Real Example:
"Melda" by Atilla the Hun (1977)
A powerful tribute to Melda Constantine, a legendary calypsonian who broke down barriers for women in the genre.

Chapter 3: The Crossroads of Music and Politics

Summary:
Discusses the symbiotic relationship between calypso and politics in Trinidad and Tobago. Examines how calypsonians use their music to influence public opinion and hold politicians accountable.

Real Example:
"Political Rumours" by Lord Kitchener (1962)
A satirical critique of the political landscape in Trinidad and Tobago during a period of social unrest.

Chapter 4: The Global Impact of Calypso

Summary:
Explores the international reach of calypso and its influence on other musical genres, such as reggae and hip-hop. Highlights the role of calypsonians like Harry Belafonte and Lord Kitchener in spreading Caribbean culture worldwide.

Real Example:
"Matilda" by Harry Belafonte (1956)
A calypso classic that became a global hit and introduced Western audiences to the genre.

Chapter 5: Calypso Today and Tomorrow

Summary:
Examines the evolution of calypso in the 21st century. Discusses the blending of traditional and contemporary styles, the emergence of new artists, and the challenges facing the genre in the digital age.

Real Example:
"Doh Play That" by Machel Montano (2006)
A soca calypso fusion that showcases the genre's adaptability and global appeal.