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American Primitive


Synopsis


Winner of the Pulitzer Prize for Poetry

Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside.

"American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz

"These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson

Summary

Chapter 1: The Roots of American Primitive

The chapter traces the origins of American Primitive art back to the early colonial era, when folk artists began depicting scenes from everyday life and the landscape around them. Real example: "The Peaceable Kingdom" by Edward Hicks (1832), which depicts a harmonious scene of animals and humans living together in peace.

Chapter 2: The Emergence of American Primitive Painting

In the 19th century, American Primitive painting emerged as a distinct style, characterized by its naive realism, bright colors, and lack of formal training. Real example: "Winter Landscape" by Rufus Hathaway (c. 1860), which captures the beauty of a snowy winter scene with simple, bold brushstrokes.

Chapter 3: The Quilting Revolution

Quilting became an important form of American Primitive art in the 19th century, with women creating elaborate and intricate designs using fabric scraps. Real example: "Quilt with Tree of Life" by Mary Leister (c. 1850), which depicts a stylized tree with birds and flowers against a backdrop of geometric patterns.

Chapter 4: The Folk Art Tradition

Folk art, which includes a wide range of handcrafted objects such as furniture, pottery, and metalwork, thrived in the rural areas of America. Real example: "Painted Chest with Sunburst" by an unknown artist (c. 1800), which features a vibrant sunburst design on a blue background.

Chapter 5: The Rise of American Primitive Art in the 20th Century

In the 20th century, American Primitive art became recognized by collectors and art critics as a legitimate art form. Real example: "Mr. and Mrs. John Ward Miner" by Grandma Moses (1946), which depicts a rural couple in their daily life with great detail and charm.

Chapter 6: Contemporary American Primitive Art

Today, American Primitive art continues to be created by contemporary artists who draw inspiration from the traditional styles and themes of the past. Real example: "The Last Supper" by William Hawkins (2006), which reimagines Leonardo da Vinci's iconic painting in a contemporary American Primitive style.

Chapter 7: The Legacy of American Primitive Art

American Primitive art has left a lasting legacy on American culture, influencing modern art movements and inspiring contemporary artists. Real example: The work of outsider artist Henry Darger (1892-1973), which combines elements of American Primitive art with fantasy and autobiography.

Chapter 8: Collecting and Preserving American Primitive Art

The chapter discusses the importance of collecting and preserving American Primitive art for future generations. Real example: The Abby Aldrich Rockefeller Folk Art Museum in Williamsburg, Virginia, which houses a significant collection of American Primitive art and artifacts.