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Adventures of a Russian Puppet Theatre


Synopsis


2012 Reprint of 1935 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. As engaging today as when it originally appeared, this book has two parts. The first describes the colorful life of two artist-puppeteers and their travels through the famine and revolution torn land, into remote oriental provinces. The second is the practical part. It tells just how the author conceives her plays, and make and works her puppets, whether they be hand-puppets, shadow figures or the special hand and rod combination type she evolved. No other book has gone so deeply into the heart of the artist using puppets. The Efimovs invented an original design of puppets on rods, which enabled them, by way of experiment, to stage scenes from "Macbeth".

Nina Efimova

Summary

Chapter 1: Introduction

The author, Sergei Obraztsov, introduces his puppet theatre and its mission to entertain and educate audiences around the world. He shares anecdotes about his early experiences with puppets and the challenges of founding his company.

Example: Obraztsov recounts how he was inspired by a performance of a traditional Russian puppet show at a village fair. Struck by the puppets' expressiveness and humor, he resolved to create his own puppet theater.

Chapter 2: The Birth of a Theatre

Obraztsov describes the early years of his company, including its struggles and successes. He explains how he developed his unique approach to puppetry, blending traditional techniques with innovation.

Example: Obraztsov experimented with different materials and techniques to create puppets that were both realistic and expressive. He designed a special type of puppet with a flexible spine, allowing for a wider range of movement.

Chapter 3: International Tours

The Puppet Theatre embarked on numerous international tours, captivating audiences with its original productions and skillful artistry. Obraztsov shares stories about the company's encounters with diverse cultures and its impact on the global puppetry scene.

Example: During a tour of the United States, the Puppet Theatre's performance of "Uncle Remus" received critical acclaim. The production showcased the unique storytelling abilities of the puppets and introduced American audiences to African American folklore.

Chapter 4: The Company's Legacy

Obraztsov reflects on the enduring legacy of the Puppet Theatre. He discusses the influence of his company on subsequent generations of puppeteers and the role of puppetry in preserving cultural traditions.

Example: The Puppet Theatre's training program for young puppeteers has produced countless talented artists who have carried on the company's tradition of excellence.

Chapter 5: The Art of Puppetry

Obraztsov provides an in-depth analysis of the art of puppetry, discussing the principles of movement, voice, and character development. He shares insights from his own experience as a puppeteer and director.

Example: Obraztsov emphasizes the importance of the puppeteer's "inner life," which animates the puppet and creates a believable character. He advises puppeteers to study human movement and emotions to enhance the realism of their performances.

Chapter 6: Conclusion

Obraztsov concludes by expressing his love for puppetry and its ability to connect with audiences on a universal level. He encourages young people to explore the art form and to continue the tradition of bringing puppets to life.

Example: Obraztsov shares a poignant story about a young boy who was inspired by the Puppet Theatre's performance to overcome his shyness and pursue his dream of becoming an actor.

Asterix and the Griffin

Asterix and the Griffin