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Adventures in the Screen Trade


Synopsis


'I don't know if it's ever been equalled: both a guide to how to write and a guide to how to navigate the experience of being a professional in the industry. Even though he existed at the most exalted level, it never felt like that. It felt democratic and egalitarian in the way he wrote. Before his book, people never really gave thought to screenwriters, their craft, or their place in the ecosystem of movie-making. Bill not only shone a light on that and inspired a whole new generation of writers, he also made movie-making and showbusiness understandable to a vast general audience' Peter Morgan, writer of The Crown and Frost/Nixon

As befits more than twenty years in Hollywood, Oscar-winning screenwriter William Goldman's sparkling memoir is as entertaining as many of the films he has helped to create. From the writer of Butch Cassidy and the Sundance Kid, All the President's Men and Marathon Man, Adventures in the Screen Trade is an intimate view of movie-making, of acting greats such as Redford, Olivier, Newman and Hoffman, and of the trials and rewards of working inside the most exciting business in the world.

Summary

Chapter 1: The Iron Triangle - A Simple Story with a Flaw

* Introduces the "Iron Triangle" of storytelling: plot, character, and theme.
* Emphasizes the importance of a simple, clear story with a central flaw.
* Example: "Jaws" (plot: a shark terrorizes a seaside town; flaw: the shark is invincible).

Chapter 2: The Plot Line - A Beginning, a Middle, and an End

* Breaks down the story into three acts: beginning, middle, and end.
* Each act must have a clear goal, conflict, and resolution.
* Example: "Star Wars: A New Hope" (beginning: Luke Skywalker leaves his home; middle: the Death Star is destroyed; end: the Empire is defeated).

Chapter 3: The Character Triangle - What Motivates People

* Explores the three main motivations for character actions: need, want, and conflict.
* Characters should be relatable, with goals that resonate with the audience.
* Example: "The Godfather" (Michael Corleone's need: to protect his family; want: to live a legitimate life; conflict: the family business).

Chapter 4: The Thematic Filter - What the Story's About

* Identifies the underlying theme or message of the story.
* The theme should provide insight into the human condition.
* Example: "The Shawshank Redemption" (theme: hope can prevail even in the darkest of circumstances).

Chapter 5: Pitching the Story - The Perfect 50

* Provides tips on how to effectively pitch a story idea.
* The pitch should be brief (around 50 words), clear, and engaging.
* Example: "A young woman with a rare disease sets out on a perilous journey to find a cure."

Chapter 6: The Idea Machine - Where Great Stories Come From

* Explores various sources of story ideas, such as personal experiences, news events, and other stories.
* Encourages writers to keep a notebook and record any interesting ideas that come to mind.
* Example: The idea for "The Martian" came from the author's fascination with space exploration.

Chapter 7: Breaking the Story - Creating a Blueprint

* Guides writers through the process of breaking down their story into its essential elements.
* Includes a detailed outline template that covers plot, character, and theme.
* Example: Breaking down the story of "Titanic" into scenes, with a focus on the characters' motivations and the overall theme of love and sacrifice.

Chapter 8: Writing the Treatment - A Bird's-Eye View of the Movie

* Explains how to write a treatment, which is a concise summary of the story.
* The treatment should include the main plot points, character descriptions, and a synopsis of the major scenes.
* Example: The treatment for "The Dark Knight" would outline the battle between Batman, Joker, and Harvey Dent.

Chapter 9: Writing the Script - The Devil Is in the Details

* Provides practical advice on the craft of screenwriting.
* Covers topics such as dialogue, action, and scene structure.
* Example: Writing a scene from "The Godfather" that showcases the dynamics between Michael Corleone and his father, Vito.

Chapter 10: Writing Relationships - The Tragedy of Hamlet

* Emphasizes the importance of creating strong and believable relationships between characters.
* Explores the challenges of writing dialogue that reveals character motivations and emotional connections.
* Example: Analyzing the relationship between Hamlet and Ophelia in Shakespeare's play.

Chapter 11: Selling the Script - The Art of the Deal

* Offers guidance on how to navigate the film industry and sell a screenplay.
* Covers topics such as finding an agent, attending script competitions, and building relationships.
* Example: The journey of a screenwriter trying to get their script produced: from writing the first draft to pitching it to studios.

Asterix and the Griffin

Asterix and the Griffin